Did you MISS IT?? Don't worry, you can still listen in to my radio interview with Around the Pole!
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Come Meet Claire Sterrett 09/27 by aroundthepole | Blog Talk Radio
Apparently this is my week to be interviewed. And I am not complaining! First there was the lovely Sheena LaShay, and now another beauty named Lorashel has posted an interview on her pole blog. Twirly Girl is how she is known in the Pole World
Miley Cyrus is the latest tween-turned-teen to find herself under scrutiny for somehow tarnishing her “good girl” image by, well, growing up. Says Cyrus, “Every 18-year-old explores sexuality and experiments and tries things. For me there’s no reason to change that. You have to be true to yourself.” Cyrus isn’t just growing up - she is growing up and being honest about it. Which is a refreshing change from other child stars that have made a similar transition. Take Britney Spears for example who said in her very first interview with Rolling Stone Magazine that she wasn’t trying to be sexy. Uh-huh, sure Brit.
Kelly Yvonne’s Girl Next Door: A Pole Dance Soiree is a delicious, fun and refreshing collection of pole dance vignettes performed at the King King in Hollywood every Sunday. And the message is this: Everyone has an inner vixen. Now invite her out to play! The show opens with a few “housewives” dressed in peek-a-boo tutus and corsets meeting their new neighbors. There is one housewife in particular who has not quite discovered her inner sex kitten. Another woman takes it upon herself to begin to school her in the art of sexiness. This is, of course, all done very playfully and tongue-in-cheek. And to a sexed up version of Mr. Rogers’ “Won’t You Be My Neighbor?” It’s outstanding.
There are fifteen performances and each one is a mini-story told through dance. Most of them are done on the pole and the floor with the exception of an aerial hoop show above the bar, and another performance done on aerial silks. There are two poles – one on the stage and one in the middle of the audience. The dancers use both, as well as a small runway that juts out into the audience. What ties the performances together is the idea that each of these women is taking a break from her daytime persona and revealing to the audience her sensual, sexy, secret side. The program lists each of the dancers and their “day jobs” on one side. Turn the program over and you see each of the dancers listed by the name of the song they perform to. “Il Mio Bel Foco” had a violinist and an opera singer as music. A pole dancer danced at the mercy of a cruel ringleader, bearing a whip, until she finally wins him over. “On the Couch” was a man (well, a woman dressed as a man) begging for forgiveness from his woman for being late, ultimately seducing her by the end. “Need You Tonight” was a dancer who performed for a video camera, her eyes never leaving the lens. And “Bloodstream” was done entirely behind a sheer curtain with maybe only three pole tricks. But it was easily one of the most intoxicating performances of the evening – with the exception of the finale of course. In the finale, each of the dancers took her turn dancing on a giant net above the stage, followed by a walk through the audience, a trick on a pole in the audience, a sexy little wall dance and finally, a walk or a crawl onto the stage for a final bow. And they owned it.